Monday, June 5, 2023

The Fight over a Mississippi Textbook

Civil Rights, Culture Wars: The Fight over a Mississippi Textbook by Charles W. Eagles

I've just been made aware of this book, but I'm moving it up on my reading list because it's pretty important to me.  The history of the struggle for civil rights is, in many ways, my own history.  Born in 1963 in Jackson, Mississippi, to a very political family, this is the world I entered into just as the fight was getting more heated.  

For the past several months, I've been doing a really deep dive into the integration of Galloway United Methodist Church, and my plan is to do Millsaps next.  This book is about incidents that happened later on, more into the early and mid-seventies.

Mississippi Conflict and Change was a textbook about Mississippi history written by James W. Loewen, who taught at Tougaloo, and Charles Sallis, who taught at Millsaps.  It was the first Mississippi History textbook to include anything about the civil rights movement.  There's where the conflict and change about the book itself came in.

Mississippi has a free textbook law.  That means students of the public schools (and some parochial schools) are provided free textbooks paid for by the State of Mississippi.  In order to qualify for these funds, the books have to go through an approval and adoption process as set out in the law.  This is true for all the states that have a free textbook law, which I believe is all the states now.  

Approving textbooks can be very political.  With so many concerns about Critical Race Theory and anything about people with different sexualities, approving textbooks has become much more political than has been in many years.  In the seventies, there was considerable pressure to keep the civil rights movement out of any Mississippi History textbook.  Authors Lowen and Sallis, having struggled to get the book published in the first place, were determined to have it adopted by the state Textbook board, so they filed suit, accusing the board of rejecting their book illegally.

Eagle's Book "Civil Rights, Culture Wars: The Fight over a Mississippi Textbook," tells the story of the fight over getting "Conflict and Change" published.   

At St. Andrews, I was taught Mississippi History using Conflict and Change.  A very young priest named Jerry McBride taught it.  I didn't know it at the time, but St. Andrews was the only school in the nation that had ordered the book for classroom use.  I knew this because my father and grandfather ran the Mississippi State Textbook Depository.

My dad was asked to give a deposition in the case.  Considering the very political nature of his business, both at Missco and Trustmark and St Dominics, he really didn't want to get mixed up in this, but he also was pretty determined to get the book adopted.  Dr. Sallis was an important member of the Millsaps History Department.  Bill Goodman represented the State of Mississippi in this and many other matters.  He was also a life trustee of Millsaps College.  Mr. Goodman's advice was that the state not fight this, that fighting it would make us look pretty bad.  

At the time, there were political figures in Mississippi who had much to gain for taking a stance against a civil rights textbook.  Sadly, those days may have returned.  There was considerable political wrangling over this.  I don't know how much is in Eagle's book, but it involved a lot of icons of my youth.

Ultimately, cooler heads were able to prevail, and the book was adopted after considerable political and legal pressure.  I'm very interested to see how much of this lines up with my own memory of that period.  I was thirteen and fourteen.  Interestingly, the only reviewer of the book on Amazon is Bob King, former Dean at Millsaps College.

They have Mississippi Conflict and Change listed as almost $1,500 on Amazon.  I think I have two copies.  

Civil Rights, Culture Wars: The Fight over a Mississippi Textbook is available in hardcover, softcover, and kindle formats on Amazon.com I'll write a review once I've finished it.  

Moving Things - Moving Me

 Feist-dog got me up at five a.m.  The sun's still not out.  My little round ball Alexa alarm doesn't go off until six, so I don't know what his hurry is.

This week is preparation for the big move.  I meet the movers on Wednesday.  Some stuff I'm going to have to part with.  One is my dad's desk.  I've been using it as a desk for a while, but it was improperly stored after his death and got really badly warped.  It's also eight feet long.  As he was in the business of selling desks, I think Dad wanted something he could show off to people as an indication of what they might expect from us, plus I think our manufacturers had an expectation that he would showcase some of their more impressive wares.  

My dad liked everything modern.  Especially furniture and architecture.  He even grew his sideburns out for a while, and most of his lapels could double as a glider.  Being Mississippi's only Herman Miller dealer for a long time, most of his office set was Herman Miller, including the famous Eames Chair and Cricket Table.  

Since I still have mobility issues, I want to have safety rails installed in the bathroom.  I thought that'd be crazy expensive and complicated, but Lowes installs them for $85 each.  I already have an adjustable bed, so that's about all the accommodations I'll need.

I'm pretty relaxed about it now, but I'm sure as the time gets closer, I'll freak out.  Some of my theater friends have agreed to help hang my art.  That's probably the best I can do since they've done it to about a hundred of Brent's sets.  

There are two really important events at Millsaps this week.  The first is a presentation about Millsaps, Tougaloo, and the Civil Rights Movement Tuesday at 1:00 at the Christian Center.  Speakers include Jeanne Middleton, TW Lewis, and Ed King.  Like myself, Ed has been having a mystery element with his leg and may attend by Zoom.  All three of these people had a pretty important role in several levels of integrating Jackson, from the sit-ins to the integration of the churches and the ultimate integration of Millsaps and lastly the public schools.  I'm proud to say that Millsaps and Galloway led the way in these movements, and I'm ashamed to say we didn't do it before the mid-sixties.

We did this before in 2010 when Rob Pearigen was new at Millsaps.  The panel was then Jon Meacham, Governor William Winter, Jerry Mitchell, Jeanne Luckett, and Dr. Leslie McLemore.  There's a chance some of these will attend the lecture Tuesday.  Jerry Mitchell now has his offices at Millsaps, and Jeanne Luckett gets around to more stuff than I do.  Sadly, Governor Winter is no longer with us.  

This might be Rob's last event as president of Millsaps.  He and Phoebe attended Galloway yesterday.  Cary mentioned him in his sermon but assured us we'd see Rob again when he comes to visit Phoebe, who we have no intention of letting go.  That's not entirely wrong.  Losing Phoebe is gonna cost, Jackson.  She's been very involved in the years they've been here, and I think it's fitting that she'll be moving back to Sewanee after attending one last International Ballet Competition.


Later, at 5:00, we'll meet again at Fondren Guitars for the second session of the Millsaps Ted Lasso talks about effective management.  The presenter is LeAnne Brewer, who heads up our executive education effort.  LeAnne was a student when I was a much better student, apparently.  She has remarkable energy and insight, so I'm looking forward to this.  Where I'm headed, this little cluster of businesses will probably be where you can find me most nights.  They have whiskey next door.  That should do.

I think the operational plan for the next two weeks will be to mask my anxiety about moving with false enthusiasm.  That usually works.  I simply have to take the next step, though.  I've accomplished all I can here, and I'm worried that I'll regress if I stay.  I have to learn to maintain my diet and exercise on my own.  I've done both before.  I tend to slip into really bad habits (mostly fast food) when I don't maintain my mood, so going to have to watch that.

You'll notice changes to the blog.  I'm trying to make it look more professional since I'm trying to go out into the world as an actual writer, not just a guy who scribbles his thoughts.  

My wake-up alarm still hasn't gone off.  Probably the greatest thing I ever did for myself was when I learned to touch type.  Now I can type much, much faster than I can read, meaning I can do about a thousand words an hour.  Not too bad for a dyslexic kid.   It's also a pretty good indication of just how much my mind races when I'm alone and when I'm not alone.  The way my mind works has always been a real irritation to the women in my life, starting with my mother.  I'm pretty satisfied with it, but it can make it difficult to have a conversation with me sometimes.



Sunday, June 4, 2023

Pride Month

 June is pride month.  I don't like the idea that we have to assign months where people can be proud of who they are.  That should be every month.  We started assigning months and holidays to marginalized groups around thirty years ago in an effort to recognize what the larger society had put them through in the past in hopes that remembering it would keep it from happening again.  It's not actually keeping it from happening again.  It's not.  I'm not very good at fighting this.  I've tried, but obviously, it's not enough.

La Cage aux Folles was a 1973 French film about two gay men who pretend to be straight for the sake of their son.  In 1983, Harvey Fierstein and Jerry Herman got the rights to turn it into a Broadway musical comedy.  Harvey Fierstein was the first American playwright to come out and live as an openly gay man.  You'd think that stage people would have led the way, but it didn't happen that way.  Fierstein wrote, directed, and starred in the first gay-themed play, first off and then on Broadway, Torch Song Trilogy.

Maybe one day, we'll get to the point where we don't have to have a pride month for this or a pride month for that.  I bought a pride sanctuary pin. It's simply a rainbow with the words "SAFE WITH ME" on it. I wear it because I've known people who didn't feel safe being what they were.  A couple of them read my stuff.  I've gotten nasty looks for wearing it.  That's ok.  I'd rather somebody hate me for accepting someone else than take it out on them.  If you're going to hate somebody for what they are, then hate me too.  Might as well.  Meanwhile, I'll go to drag shows and protests and all of these things because maybe me saying "I accept you" can help make up for the people who don't.


Pink Salt

The sun's all the way up at 6:00 am.  You sure can tell it's summer.

Me and Feist-dog are heading to church.  I ordered some gourmet salt from Amazon last week, and they sent me an entire case.  When I inquired about what I should do with the extra six bottles, the Amazon lady said I should keep them no extra charge.  Hopefully, my sister will be at church.  I'm gonna try to unload one on her.  

Pink Salt Grinder - Amazon

Friday, June 2, 2023

What's In The Box?

A lot of people find things they don't understand are intimidating.  It's a natural reaction.  If you don't know what's in a box labeled "X," it could be anything.  It could be a puppy, it could be a chocolate cake, but it could also be a tiger or a diamond-back rattlesnake.  Until you open the box, you don't know.   Some people find the chance that it might be a rattlesnake much more important than the chance that it might be a chocolate cake, so they presume this box labeled "X" is a threat and act like it.

I think that may be part of what's happening with some of the hate we're seeing lately with transgenderism.  For most of us, me included, the experience of transgenderism is utterly alien and quite far from our daily experience.  We make our physical gender part of our identity, and even people who understand that identity is a construct find it very difficult to see beyond it.   

Over the last fifteen years, a lot of LGBTQ people and their allies have been operating under the presumption that if they raise the awareness of gay and trans people, it will make the larger public more accepting of them.  The idea being that if we open the box and show the contents, people will see it's not a threat.  In many cases, that's worked.  It worked on me.

Some people are so concerned about the possible threat in the box that they don't want to look, even if it's open.  Efforts to raise the awareness of LGBTQ people and normalize their presence make some people feel threatened, like this thing they're afraid of is growing and being "forced down their throat," which is exactly the opposite of the original intent to show that LGBTQ people aren't anything to be afraid of or concerned about.

It's really hard to cross the lines of culture, sexuality, and identity.  These ideas become the core of how people define themselves, and far too many people don't feel confident enough of their own place in society to be accepting of people who are different.  Anytime you see somebody with a chip on their shoulder, jealously guarding their spot in the world, it's a pretty good bet they're going to have trouble with bigotry.  

It's particularly painful to see people who themselves were once marginalized because of their culture or race, or religion participate in the hate and rejection of LGBTQ people.  You'd think they would be the first to recognize this syndrome in other people, and most are, but some become even more reactionary, almost as if their seat at the table will be taken away if they allow someone different to sit next to them.   

This is one of those situations where I don't really know the solution.  I think there's some merit to staying the course and continuing to raise the profile of differently-sexualized people and continue to try and educate people that they are not a threat in any way.  There's going to be pushback.  The slate at the last session of the Mississippi Legislature is a pretty good example of push-back.  Recent political pressure to shut down the LGBTQ clinic at the University of Mississippi Medical Center is another example.  

All I can suggest is, don't respond to hate with hate.  Be firm but understanding.  Fear of the unknown is legitimate; continuing to try and make known the unknown is still the best course.  Maybe cut back on some of these basic cable shows exploiting the lives of teenage transgender people and focus more on the experience of adults.  A lot of people are responding with near violence to the idea of trans people participating in sexed sports.  It's actually a pretty rare event, but concern over it has exploded.  Maybe there's some merit to trying to understand and cooperate with these fears, even though it's really very rare.

Reaching out to people who don't fit the larger cultural patterns isn't a hill most people want to fight on.  It makes people wonder why you can't just go along to get along.  This is something Jesus specifically shows us to do, though.  There's a reason why he made a tax collector his disciple.  There's a reason why he told the parable of the Samaritan.  It's incredibly liberating for your own mind to take these lessons to heart and make them part of your life.  Living without fear of other people is one of the greatest gifts you can I've yourself.  



Thursday, June 1, 2023

Bogart and the Anti-Hero

In 1935, a young actor named Humphrey Bogart (his real name) got his first starring role on Broadway in a play called "Petrified Forest" with costar Leslie Howard at the Broadhurst Theater.  Lance Goss directed the play at Millsaps several times, with the last one in the 90s with Paul Hough as Duke Mantee.  It would be Bogar's last major role on stage.

Bogart played a few small roles in films, some so small they were uncredited, but in 1936 he returned to Hollywood with a triumphant contract with Warner Brothers and shot "The Petrified Forest," again with Leslie Howard and introducing Bette Davis as Gabby, a role played by Christine Swannie at Millsaps.

Over the next five years, Bogart made almost fifteen films, all variations on the criminal he played in Petrified Forest, including his stint as a crooked lawyer in "Angels with Dirty Faces," and the Science Fiction thriller "The Return of Doctor X."  Bogart never doubted his abilities and fought with Warner Brothers to let him try roles that weren't criminals.  


In 1941, Bogart received the big break he wanted playing a new kind of character, dubbed the "anti-hero" he played the hard-boiled detective in "The Maltese Falcon" based on the hit novel by the same name by  Dashiell Hammett and also introduced Sydney Greenstreet who would act against Bogart again.  

Sam Spade reinvented Bogart as an actor and reinvented the entire genre of crime drama.  There are just a few films you can point to and say, "This changed the direction of the art form,"  "The Maltese Falcon" is one of those.  Again, Bogart would spend the next several films mostly typecast again, this time as the anti-hero detective, but his career was starting to be on his own terms. 

The success of Sam Spade did allow Bogart his first chance to really act against type.  In 1942, a small play called "Everybody Comes to Ricks" was the subject of the rising patriotism and anti-fascism in America as a result of the Pearl Harbor invasion.  Bogart was nominated for the Best Actor Oscar for playing Rick Blaine in "Casablanca."

In 1944, Bogart won the role of Harry "Steve" Morgan in the screen adaptation of Hemmingway's "To Have and To Have Not."  Hemmingway refused to write the script himself, so director Howard Hawks hired Jules Furthman to pen the first script.  Not pleased with the final product, Hawks hired Mississippi novelist William Faulkner to mend the script.  This film is perhaps most notable for introducing a nineteen-year-old Lauren Bacall to the world as Slim.  In his forties, a spark between Bacall and Bogart struck up that became a  Hollywood legend.  Humphrey Bogar and Lauren "Baby" Bacall made an unlikely love affair for the ages.

Bogart went on to play many more anti-heroes, but 1951's "African Queen" with John Houston and Katharine Hepburn, shot on location in Africa, remains one of Bogar's most memorable films.  Bogart finally got his Best Actor statue for playing Charlie Allnut.

In 1955, Bogart released "We're No Angles,"  still playing an anti-hero, but this time a comedy.  Co-starring Aldo Ray, Peter Ustinov, and Basil Rathbone, "We're No Angles" has been one of my Christmas tradition films since I first saw it on TNT in 1980.  

Bogart would make three more films, but a heavy smoker and a heavy drinker, he would die of esophageal cancer in 1957.  

Baby Bacall was thirty-two when Bogart died.  Bogart was fifty-seven.  Bacall bore Bogart two children.  A son named Stephen, named for Bogart's character in "To Have and To Have Not." and a daughter named Leslie Howard for Bogart's co-star and friend.  Hepburn and Spencer Tracy would visit Bogart in his final days.

Bogart and Bacall were both liberal democrats and fiercely anti-fascists.  Like many Hollywood liberals, Bogart was called before the Committee on Unamerican Activities to defend his political viewpoints.  Afterward, he wrote an article entitled "I'm No Communist," defending not only himself but those found in contempt of the hearings.

I've profiled a lot of actors, but Bogart is one of my favorites.  His is a very American story.


The Donor Wall

 Sometimes I feel like I've lived too long, like I've seen too much, like I've passed by too much.  

Today I went to the Two Mississippi Museums to attend a lecture on a book by Carolyn Brown and Carla Wall about the life of Thalia Mara.  

On the way in, I noticed the Donor Wall for the museum.  Anytime you see a non-profit structure, there's usually one of these.  I was early, so I scanned the names.  As you can see in the photo, it's a pretty wide wall.  I knew every name.  Some I haven't seen in a while because it says "foundation" after their name, and they've been dead for thirty years, but I knew them, Horatio, every one. 

About half were Millsaps people, either graduates or board members, or both.  If you ever question the influence Millsaps has had, look at the names on pretty much any donor wall in Mississippi.   A good portion of the were from Galloway too.  

Mississippi is like a big heavy barge trying to make its way up a slow river.  It takes an awful lot of people pushing on one side to make it change direction just a little.  That's what signs like these are.  They're a whole bunch of people pushing in one direction, trying to make things a little better.

Sometimes, it takes just one person to show a bigger bunch where to push.  Thalia Mara was a tiny lady, the daughter of Russian Immigrants, who showed up in Mississippi out of the blue like the Circus of Dr. Lao, and she taught us we could do better.  Because of her, we've been doing better since 1975, next week, we begin the twelfth iteration of the US International Ballet Competition right here in Jackson because of her.  

Jackson and Austin

Austin, Texas, is a progressive, arts-intensive enclave in the middle of one of the most conservative states in America.  It sounds like they'd be under siege, but it works for them, and it has worked for as long as I can remember.  That might be a model we can use in Jackson.  I think it's a model we're already using, even if it's not consciously so.

I'm aware that most of the city government looks at the whole Capitol Police and HB1020 thing as a bunch of peckerwoods trying to make them look bad.  There might even be something to that philosophy.  

Here's me out, though.  They're not gonna stop.  Getting mad about it is just gonna make them do it more because, to them, there are political points to be made by making Jackson progressives angry.  

Instead of fighting it, what I would do is I would lean into it.  I'd play up how the state of Mississippi has sent us all these shiny new police cars and all the shiny new policemen (that we don't have to pay for) and then really, really sell the idea that they're going to make our high profile areas, mainly the Fondren Entertainment District, The Downtown Entertainment and Museum District and the LeFleurs Bluff entertainment district as safe as your momma's pantry--and then hold them to that.  

In an area with a reputation for crime, having a bunch of new police, even if they were forced on you by people who hate you, is an absolute selling point, and a big selling point that we don't have to pay for can be a genius plan if you sell it right.

Of course, if you act like you appreciate what the white, conservative legislature is doing, they may quit doing it because they hate us and their constituents hate us, but there are ways around that.  It might even be a step toward making it so they don't score points by beating up on Jackson.

Squaring off against the governor and the speaker and whatever yay-who's are in the legislature isn't a sustainable plan.  Jackson ends up losing every time, and they win points with their people by beating up on us, even though it's hardly a fair fight since they have all the power.

If you finesse these people, though, if you can manage to maybe not show your entire hand and act like you really want to work with them, then Jackson can work its way into more control of these efforts, which will help assuage some of the legitimate concerns there are about over-policing.  

The current mayor comes from a culture of radical protests and combative cultural language.  His father was a master of that.  Radicalism works best when you have no power.  Radicalism becomes your power.  It gives you a voice that you otherwise wouldn't have.  Once you're in positions of power and shared power, radicalism starts to work against you because it makes other people not want to work with you.

I think it's possible for the Mayor to honor the work his father did and honor the alliances that come with that but really push forward with the idea that this is a new day.   Push forward the idea that a Black Jackson now shares power with their white neighbors, and as a good neighbor, wants to work with all the programs that come with being neighbors, including things like the Capitol Police, but also forge better and stronger relationships between all the metro police departments so you don't have this conflict that you see now between Jackson and Pearl, Brandon and Madison police.

We're so close to having the best of both worlds.  All we have to do is grab it.  Until we learn to grasp the concept of and live with the idea of our being a new, conjoined community, then we're gonna suffer a lot of the things we've been suffering.  

Working with somebody doesn't have to make you look subservient to them.  Think about Thalia Mara.  She was this tiny little woman with a weird accent and a whole bunch of gay friends who somehow figured out a way to make all these backwoods sons-a-bitches do exactly what she wanted, and she made it look like it was their idea.  I think that can happen again.  It just takes a change of perspective.

Tuesday, May 30, 2023

The Morning

When I was very little, I was always the first one awake, the first one out of bed and out of my room.  I got to turn the coffee pot on and hear the morning farm report that came on at six and started the broadcast day.  Sometimes I saw the static that preceded it and the national anthem tape that was probably made in the fifties.  

Then things started to change.  My father didn't have time for breakfast anymore.  Once I was introduced to the concept of homework, I was also introduced to the idea that if it involved reading, writing, or math, mine was probably wrong.  Eventually, if I couldn't get somebody to check my homework before school, I just didn't turn it in.  I'd rather have a zero for not trying than to be told all the places I was wrong.  

Eventually, my brother down the hall began to change into something very different from what he was before.  One of the reasons I write about him, and try to be really very honest about it, is because there are lots of people who never knew him before he became ill.  I'd like for there to be more to his legacy than what became of him.

Before I learned how broken I was, how broken the world around me could be, how people who don't mean any harm to anyone can suffer for no reason, before all that, I was the first one to get up in the morning.  I loved the morning.  I loved the rising sun and the opportunity of a new day.  

Sometimes, I get all that back.  Sometimes feist-dog pulls the covers off me, and I'm out of bed before the alarm goes off.  Sometimes, I go into the sun thinking, "Boy, I'm lucky!"  But not every day.  Not anymore.  

The world wore on me pretty roughly.  If it was just on me, I think it'd be ok, but when I look around, a lot of people who never did anyone any harm got it a lot worse.  Somedays, the world is a blank canvas ready for opportunity.  Some days the world is a gauntlet testing how much you can take.  

I was a pretty timid boy.  Especially when it came to talking to strangers.  It wasn't so bad with grownups.  I think I was expecting them to understand that I stuttered, maybe even be amused by it.  I always loved the world though, and loved getting out in it.  There are days when I get all that back, and then there are days when I just want to keep the door closed and the lights out as long as I can.  

Mississippi is full of wonders when you're little.  It's full of doubts and fears when you're old enough to see the world as it is.  That glimmer of childhood optimism never really dies, though.  If it didn't die after all the things I did to it, then it's immortal.

The world starts when you turn on the lights and open the door.  The world is filled with challenges but even more opportunities.  There's an imaginary dog that tells me this when I remember to listen to him.

Monday, May 29, 2023

Sunflowers: Ted Lasso in Amsterdam

Two pilgrims together are a pilgrimage.  There are spoilers ahead.

Everybody finds love in Amsterdam, or almost.  Rebecca connects with the best guy for her yet, but I'm pretty sure she'll fuck it up because it's Rebecca.  After five thousand product placement shots, her iPhone 14 gets dropped to the bottom of a Dutch canal.  Maybe that's a sign.

Sunflowers are the state flower of Kansas.  They're also the subject of one of Van Gough's most famous paintings.  Van Gough suffered his entire life.  He was never understood or appreciated when he was alive and died penniless at his own hand.  His last words were, "The sadness will last forever," in Dutch, of course.

Season three, episode six of Ted Lasso, reached me on so many levels.  Seeking new levels of inspiration and relief from his crushing depression and self-doubt, Van Gough chased the green fairy with passion.  Like many artists of his generation, he drinks absinthe with abandon.  Most men of his generation credited the tincture of wormwood with absinthe's legendary explorative properties, but it was probably just its extremely high alcohol content.  

AFC Richmond is in a terrible rut.  Everybody's life is in ruins except Keely, who is in love with one of the most beautiful women I've ever seen.  Coach Beard, reinforcing my thesis that he represents Merlin in this round table, provides Coach Lasso with a tea made with psilocybin mushrooms, a considerable step up from absinthe.  Because Ted is reluctant to drink the tea (because he hates tea) they separate.

What makes Ted Lasso different is it's a show written by actors, an actor from Virginia especially.  One of us.  A Southern boy.  His mother's brother: his uncle, is George Wendt, Norm from Cheers.  If you didn't know that, it's probably something of a revelation.  If you're a theater people, most of the people who read me are theater people, or at least are allies; if you're a theater person, you no doubt have picked up by now that there's a musical theater reference in every episode of Ted Lasso.  That's what happens when you let actors have a pen.  Tonight's musical theater reference was "Chicago" by Kander and Ebb.  A musical about love's betrayal, crime, booze, and Jazz.  

There are a number of thematic reasons why Jason Sudeikis wanted to locate this episode in Amsterdam.  Because he has a lot of interaction with his cast on an actor-to-actor level, he incorporates their stories as artists into the plot.  Sudeikis is twelve years younger than me.  Jeremy Swift is two years older.  When actors make out their resumes, they list "other skills."  It's usually something like dancing or fencing or singing, but for Swift, he listed that he played the double bass.  This resonated with Sudeikis, and Jazz became a driving force behind Higgin's character.  

In the Sunflowers episode, Higgins takes Will the Kitman on an expedition in the Red Light District.  Will thinks it's for the famous prostitutes, but Higgins takes him to the Prins Hendrik Hotel, where Chet Baker, at the height of his musical career, flung himself out of a window to his death.  Higgins tries to suggest that he might have been pushed, but I think people who make that case are just being generous to Baker.  Baker spent most of his life trying to kill himself.  Kill himself and make fundamentally different and brilliant music.  In 1988, in Amsterdam, he made the final choice between the two.

Suicide is something of a theme in Ted Lasso.  The death of Ted's father, we're told, is the seat of his problems.  It's the dragon he must fight and the source of his panic attacks.  Famous suicides are mentioned throughout the series; tonight, it was Van Gough and Baker.  The night in Amsterdam ends for Higgins and Kitt in a jazz bar, with Higgins getting to show off his skills.  The episode was shot so that there's no way Swift was faking it on the bass.  That's absolutely him playing, and it's brilliant.

Coach Lasso reluctantly tries the psilocybin tea after Coach Beard launches his own adventure.  If you've ever tried psilocybin, and I've tried psilocybin, I've tried it with some of you; if you've tried psilocybin, you know it doesn't hit you right away.  Thinking the drug didn't work, Ted makes his way to an American restaurant where a Bulls game and a tower of onion rings launch his mushroom vision quest.  A quest that gives him a divinely inspired offense pattern from the Richmond AFC Grayhounds.

Four men expose their souls and find solace in each other.  Roy forces Jamie to train rather than party in Amsterdam like the rest of the team.  In an argument about whether windmills are real, Roy confesses that he can't fuckin' ride a fuckin' bicycle.  He can't because his grandfather tried to teach him, but his grandfather died, and now he feels guilty for not having ever learned.  This is the most vulnerable Roy has ever been, and he does it with Jamie, who he has hated the entire show.  Maybe realizing that Keeley wasn't going to be with either of them provided the breakthrough.  In an unlikely montage, Jamie teaches Roy Kent to ride a bicycle, and together they see a windmill.  In literature, windmills represent many things; To Miguel de Cervantes, they represent the giants that Don Quixote de la Mancha must battle to claim his humanity.  To dream the impossible dream.

For the whole series so far, Colin has hidden his sexuality and fought to believe in himself.  We're never really told what sort of athlete he is.  He struggles to benchpress a single set of forty-five-pound plates, but we can assume he's good enough at football to play first-string in the premier league.  Separating from the group, Colin finds a gay bar, thinking he's alone.  He's not.  Trent Crimm walks in after him.  Colin panics and claims he's in the wrong bar.  Running after him, Trent confesses that he's seen Colin kiss a boy but hasn't reported it, and there must be a reason for that.  The two sit in the Dutch night air and bare their souls.  Trent was married to a woman when he came to grips with his sexuality.  This is a scenario that played out a lot in my generation.  Guys I knew from childhood who struggled and struggled to be what they are.  Together they discuss the pain Colin feels for having two separate lives and how much he wishes he could kiss his fella after a game like the other players kissed their girl.

When I was twenty-one, I grew tired of everyone, and everything I knew and everyone I knew was tired of me, so instead of Scrooges or CS's, I went to George Street.   I'd been there before.  Part of my job was to be an earwig to members of the legislature about bills that benefited education, which in turn benefited Millsaps and Mississippi School Supply.  It wasn't really lobbying, but that's what I was being groomed for, at least until I told my Dad I hated it.  I wasn't horrible at it; I just felt really manipulative.

Cotton was bartending.  Cotton was something of a legend in Jackson, starting with the bar at Sun 'n Sand but also George Street, The University Club, and Tico's.  I sat with a man twice my age who was in the House of Representatives.  We discussed Dave Brubeck, Steely Dan, and Chicago.  He was one of the few men I've met who loved Maxfield Parish as much as I do.  We talked, just the two of us, for at least two hours.  In a moment, he looked deeply into my eyes and put his hand on top of my hand.  It was subtle; in the darkness of the bar's corner, no one would see.    I tried really hard not to look shocked or hurt, or angry.  This wasn't the first time this had happened to me.  I really liked the guy and didn't want to hurt him or offend him or put him on the spot for anything.  After a moment, he moved his hand up to grip my shoulder in a very manly, coach-to-player sort of way.  He insisted on paying for my drinks and left into the night.

I stopped at a gas station across from the Baptist hospital for cigarettes and called a girl I knew to see if she was awake and see if she was alone.  There's a 50/50 chance she's reading this now.  I went to her apartment and watched her sleep with my hand under her shirt on the small of her back.  A lot of my friends knew I liked this girl.  She supposedly had a boyfriend somewhere, but it didn't seem to change anything.  I thought that--I could take this girl anywhere I wanted.  I could hold her hand anywhere I wanted.  I could introduce her to my father, my fraternity brothers, my bartender; nobody would ever think a thing.  We could spend all night talking about music and art, and she could put her hand on top of my hand, and nobody would ever think a thing.  They might even be happy that I found somebody, even if she supposedly had a boyfriend somewhere. 

It occurred to me how profoundly unfair that was.  I could do all these things with this girl or any girl who I could get to sit with me, but this guy, who I enjoyed so much, never could.  Even if I was as devoted to him as I was to this tiny sleeping creature, we'd never be able to have the same kind of life because I'm a man, and he's a man, and in Mississippi in the eighties, that made a difference. 

He ended up getting voted out of office as part of the great Republican Revolution in the Mississippi House of Representatives whereupon he retired to his little farm in East Mississippi, and in ten years, he was dying of liver failure, allegedly from drinking.  What Colin and Trent were going through resonated with me.  I'd seen it many times before.  Knowing that so many members of my tribe are gay always came with a fair amount of guilt for me.  I had opportunities that I didn't really deserve that they never could, just because I'm one way and they're another.  It's better for guys in the generation after mine, but it's still not good enough, and there are righteous pricks, mostly in Florida, trying to reverse whatever gains have been made.  The girl married somebody else, and I married somebody else, and none of us ever had to hide who we liked from anybody.  

I know that the end of Ted Lasso is coming.  I'm getting to the point where I need to start slowing down on the episodes and savor it some.  I'll miss it when it's over.  Ted Lasso is a very positive man in a world filled with quiet personal tragedies.  I'm trying to learn from that.  My entire life has been a quiet personal tragedy but one I've never been able to completely deal with because so many people around me have it too, or have it worse.  I guess maybe the point is that there isn't justice in our lives, but there might be hope if we believe.


Ted Lasso Merchandise

Sunday, May 28, 2023

The Commerce of House Finches in the Setting Sun

I sought feeling the sun on my shaved head, my shoulders dappled with the sinking sun.  A trio of house finches hold a conference, one on the pitch of the roof, two in ornamental trees.  They puff out their pink breasts and exchange places, never standing on the same branch at the same time.  The content of their tet-a-tet-a-tet I couldn't discern.  They sounded angry at times, sternly making a point.  There wasn't a female in sight.  Maybe they were rivals

Active and demanding mockingbirds move in and out of the scene.  Twice the size of my little pink pinches, Mockingbirds are the undisputed king of the Mississippi sky.  From childhood, I was told they were named so because they mimicked any bird they heard, but their song sounded pretty distinct to me.  Their staccato song sounds like a New Orleans jazz trumpet warming up.  Three short blasts, then drop a note and three more.  I'm in their territory.

For a hundred thousand years, this spot entertained these same species of birds without anything like me nearby.  For the last forty-five years, their pristine habitat has been the manicured garden of a retirement village.  It makes no difference to the birds.  These are still their skies.  Millions of years before, they were therapod dinosaurs, and people like me were squirrels hiding in their shadows.  Part of God's plan was for us to exchange places.

Sweat bees, smaller than a field pea, ravage the dandelion and the clover of its booty.  I don't think they're capable of knowing their voracious scavenging actually is a vital part of the plant's life cycle.  I don't think they care.  I'm a giant intruder in their universe, but they don't care about that, either.  All they care about is the next blossom.   Bees never ponder their place in the universe.  Sometimes I envy them.

Suffering a digestive malady, I decided to attend church electronically today.  Galloway has broadcast their Sunday services since before I was born, first by radio, then television, and now the internet.  It was a true blessing during covid.  The pastor noted how much empty lumber there was at church this morning, gesturing to the empty pews.  He blamed it on the three-day weekend.  He might have been on to something.   One of the drawbacks of having so many remote options for attending church is that the pastor and the choir can't really gauge how many people they're reaching.  Today, it was at least two more than what he could see before him--probably many more.

I attended Sunday School by Zoom.  That's such a convenience.  Five of our members attended that way, including Ed King, who is somewhat famous in Mississippi terms.  My Sunday school is somewhat of a Millsaps Mafia.  There are graduates from the forties, fifties, sixties, seventies, and eighties in the class, and a solid number of professors and staff members as well.  We don't have any more recent graduates yet, but that could change at any moment.

Today we discussed free will and God's will.  To try and get a handle on the subject, we included the Theory of Special Relativity, Heisenberg's Uncertainty Principle, Schrödinger's cat, Christopher Hitchins, and of course, the bible.  We like to warm up the class with a brief discussion of politics since we have some of the best political minds in Mississippi in the class.  Today we discussed the dilemma of the Mississippital Hospital Association and Medicaid expansion and the moral implications of what's happening there.  I'm secretly hoping that what I write might attract younger people to our August group.  We're not your ordinary Sunday School class, but I don't think there are any ordinary people reading anything I write.

I don't know God's will, even though I study it a great deal and have for quite a while.  I'm willing to admit I'm often agnostic because I'm trying to be really painfully honest when I write.  I don't know God's will.  I certainly don't understand God's will any more than I understand Special Relativity or Heisenberg's Uncertainty principle, but I understand they exist, and I understand what they address.  I understand that God's will exists, and I struggle to understand what it addresses.  With the sun on my bald head and the birds in my ears, sometimes I think I feel it.  I think we all do if we're quiet and listen.   God doesn't speak any clearer than my pink-bellied house finches, but I know they're communicating, and I know he's communicating.  I don't necessarily have to understand the message to understand it's important.


Friday, May 26, 2023

Fieldstone

In season two of Ted Lasso, Sarah Niles plays Dr. Sharon Fieldstone, a psychologist who specializes in counseling athletes.  

A good writer doesn't just pick names for a character.  Names mean something.  Although Sharon is of African descent, she has a very English name.  A fieldstone is a very specific thing.  In England, you have a lot of glacial deposits, which include igneous rocks that have had two sides worn flat by erosion and left in the soil where they're a nuisance to farmers.   After removing the stones from the field, the farmer can then plow and plant the land and make it fruitful.  The stones they remove from the field are then collected in a pile where somewhere in Britain's distant past, someone discovered that these stones with two flat sides could then be used to build the famous British walls or cobble-stone roads.  What once was a nuisance and an obstacle becomes something useful and beneficial.  In the show, that's a pretty good description of the relationship between Ted and Sharon.

Because of my Stuttering, Dyslexia, and ADHD as a child, I was given to many behavioralists for evaluation and training.  My father was a bit embarrassed by the whole process and felt like all I really needed was sports, even though he didn't have the time to participate in coaching or teaching me anything.  My mother read every possible book on child rearing and believed completely in these professionals.   To me, it felt like I was being passed from one stranger to another in uncomfortable settings, made even more uncomfortable because this combination of conditions made me really unnaturally shy and uncomfortable around people.  I'm sure the people my mother sent me to were generous and kind and wonderful, but to me, they were alien and intimidating and very interested in doing things to me that I didn't understand.  

As I entered adolescence, my oldest brother, who had been my idol, began to have pretty serious addiction issues.  When I got to the point where I had to shave every day, his condition advanced considerably, and he began to have pretty regular auditory hallucinations.  He had what you would call voices in his head.  

Immediately after that, the entire family was sent for psychological evaluation.  In Jackson in the seventies, there were really very few people doing this, and everyone suggested we use Clinical Associates at Highland Village.  Initially, I had four or five sessions with Jim Baugh, but since his son was in my class, they transferred me to Doug Draper.  Doug also had a child my age, but she went to a different school.  

I saw Doug off and on for something like forty years.  Initially, he treated me for issues of anxiety and feelings of abandonment, which expanded to panic and pretty serious depression.  Doug reported to my parents that we communicated well.  That was absolutely the truth.  Over the forty years, I spoke to him at least monthly; I always found we could and did talk about anything.  

Sometimes we would talk about me.  It was important to my parents that I develop a useful relationship with a counselor because between my father's career and my mother's career and the crisis in one brother's life and the more normal transmission of my other siblings' lives, whether they had an interest or not, nobody really had time for me.  I was the child that required the least attention, and that's what I got, which was fine by me because the only person in the family who understood the things that were important to me was either stoned out of his mind all the time or having conversations with imaginary people, so being left alone was about the best outcome I could hope for.

I grew to care a great deal about Doug Draper.  I still do.  Whatever he was like as a psychologist, he was a great intellectual mentor, and I found that valuable.  In time, I would find other people to fill that role, Catherine Fries certainly, Lance Goss, Suzanne Marrs, and probably the most important was Brent Lefavor, who taught me to use a hammer and use my mind as an artist.  

I can't say how much Doug helped me as a patient.  I can't say because I can't compare what I would have been like without him, but I can say he never cured me--if cured is even a word one should use with regard to psychology.

After my brother died and my mother died, and my wife left, I began having sessions with Doug over the phone because I refused to leave the house.  During those sessions, I covered my shoulders with a green blanket.  It's in my lap now.  The edges are frayed, and it has maybe ten cigarette holes in it.  Eventually, I quit making appointments.   Doug's secretary would call a couple times a week to see if I wanted to set up an appointment.  One day, Doug called himself.  I sank down into my chair and covered my head and face with my green blanket.  "Don't give up."  He said.  "I won't," I said, "I just want to navigate this by myself for a while."  and that was the last time I spoke with Doug Draper.

A few years before, I had an experience that made me really question the value of psychology.  

My wife and I were having trouble.  She wanted us to see a man she knew for couples counseling.  She had known him for years and been his patient for years and said she trusted him absolutely.  Her father, who I still consider something of a saint, said it couldn't hurt.  I found it much easier to talk about our problems with her father than I could with her, which is probably an indication of how poorly I was handling the situation.  So, I signed up to speak with this psychologist friend of hers.  

We had sessions together, and we had sessions individually.  During these individual sessions, I made a very sincere effort to discuss with him the things happening in the relationship that I felt were creating problems for me, things that I feared were damaging me.  It's hard to tell if a psychologist understands you because all they ever do is try to get you to talk more, which I did.

Going into the next couple's session, I felt energized and hopeful because, as much trouble as I had communicating my troubles to my wife, I had utterly unburdened myself with this counselor and believed he would facilitate her understanding of what I was going through and how this relationship was hurting me.

As the session wore on, he focused entirely on her problems with me, even putting me on the spot about what I was going to do to change.  I even said, "What about the things we talked about?" and his response was that I was going to have to work those things out on my own because what was happening to me wasn't what was important.

On the way out, I told my wife I hoped she brought her credit card because I wasn't giving that fucker another goddamn dime, that it wasn't worth a hundred and fifty bucks for my wife and her old friend to set me up like that.  Later that night, her father called me to say he was sorry, that he understood what I was going through, and it wasn't my fault.  We talked for an hour.   I could never tell if that psychologist heard any of the things I was trying to say, but I know my father-in-law did.  After the divorce, he would call every so often to check on me.  Eventually, he began to forget why he called, and then eventually, he began to forget that we weren't related anymore.  I never corrected him.  I was just glad to hear his voice.

They want me to get a new psychologist now.  There's a lot in my head to unpack, they say.  I suppose there is.  I wish I could say I had more confidence in psychology.  When someone's in a real crisis, I still find myself recommending they find someone to talk to.  In my experience, there comes a point of diminishing returns.  Somewhere along the way, I reached that.  I'm probably not being fair in my evaluation of the couples counselor I saw.  I probably would have been more upset with him if he hadn't completely taken my wife's side, so I might have put him into a no-win situation.

If the point of psychology is to lay out very honestly and completely the things that happened to you and how you feel about them and then try to make some sort of evaluation of what it all means and how to handle it better, I already do that with my scribbling.  If I'm honest, that's probably why I write.  There are things in my head that will kill me if I don't get them out somehow, and writing a few thousand words every day is the best way I know to get them out.  

I miss talking to Doug very much.  I miss talking to my father-in-law very much more.  Both were doctors.  Both tried to heal me.  I can't really say that either was able to do it, probably because I'm a fantastically bad patient.  Maybe that's not the point.  Maybe the point is not the healing but the trying, and trying gets me to hold on long enough for my body's natural systems to heal itself.  

The stones we take out of our fields become the stones we use to build walls and bridges and roads and houses in our lives.  God sends us people along the way to teach us how to do that.  Maybe that's what psychology is all about.  


Goldfish Memory

Watching this Ted Lasso thing, I'm brought to mind my worst trait, the thing that holds me back and threatens to destroy me every single time.

I don't let go of things very well.

That's not to say I don't lose.  I lose--a lot.  I've lost my homework.  I've lost arguments. I've lost jobs.  I've lost maybe a thousand pens and pencils.  I've lost the mate to most of my socks.  I've lost teeth.  I've lost ninety-five percent of my hair.  I've lost my train of thought.  I've lost my temper.  I've come very close to losing my mind.  Worst of all, I've lost entire human beings.  Some died.  Some moved away.  Some drifted away.  Some found someone else--and some, some just got really fucking fed up with the Boyd Campbell experience and asked to be let go--which I did, at least on the outside.

I lose these things, but I don't let go of them.  I retain them.  I punish myself for losing them, over and over and over.  One of the reasons I got as fat as I did was because I would consume whole pizzas because a pizza can't ever run away from me.  I can't ever lose a pizza.  I can't ever screw up and do a pizza completely wrong, or too late, or the wrong way.  Pizzas don't care about me, and if I'm honest, I don't care about them--but they're there; they're not lost.

Ted Lasso says that the happiest animal in the world is the Goldfish.  Wanna know why?  "A goldfish," he says, "only has a ten-second memory."

I've heard this before.  I don't know what sort of scientist or sociologist, or animal behavioralist came up with this bit of data.  I don't know how they tested these goldfish or what kind of grant they used to study them.  It probably came out of LSU; they study a lot of weird shit.

Ted's Point.  Ted's point is that if you don't remember your mistakes--if you forget your losses, then you're not burdened with them.  I've been given this advice before.  It makes sense.  It really does.  The thing is, I absolutely suck at it.  I remember. I remember EVERY LITTLE THING.  Sometimes I get the details mixed up because I have ADHD and can't focus sometimes, and I'm also getting old, and my brain probably doesn't function properly because I spent entire decades letting Alica Keough or Inez Birthfield or Randy Yates or Inky The Clown, in his human form fill me up with blue drinks and red drinks and brown drinks and drinks in bottles and drinks in cans and drinks in mugs, all so I can forget, which I can't actually do.  Tennessee sippin' whiskey doesn't make me forget, but it makes me not care--at least for a little while.  

Ted Lasso would just stare at me with this dumb smile on his face, waiting for the lesson to sink in.  I hate guys like that.  I just want to punch them in the face.  You wouldn't know it, but I have a new spirit animal.  His name is Roy Kent.  I have thoroughly and completely wrapped myself in this whole Southern Gentleman thing, but beneath all that is one of the angriest mother fuckers you've ever met.  Part of that is that I was born into a family with incredibly high standards, most of which I was physically incapable of ever achieving, even though my mother sacrificed most of her evenings for years trying to teach me to read.  I would tell the world to fuck off.  I would tell you to fuck off.  I would tell them to fuck off.  But I can't.  I can't let go, even that much.

Jesus.  That Jesus, the one you've heard about, delivered most of his manifesto standing on the side of a small mountain to a mass of people who came to hear him speak.  Jews, then and now, spend a great deal of time concerned about how to pray and when to pray, and what to pray about.  Jesus streamlined that entire process.  As much as Christians labor over how to deify this man from Galilee, he doesn't include himself in this prayer, but he does add this, Father, forgive us of our transgressions as we forgive those who transgress against us.  That word is translated in a lot of different ways.  Sometimes it's "trespass."  We do things; we go places we're told we ought not.  If you're Methodist, that's the one you've heard all your life.  Sometimes it's "sins"; forgive us of our sins.  That makes sense, right? 

The point is God forgives us when we fuck up.  God forgives us every single time we fuck up, no matter how much we fuck up; even if we make the same fuck up over and over, all we have to do is ask God, and we're forgiven.   Some people may question the value of having some sort of ethereal being that may or not exist to forgive us, and if he does exist, he sure isn't inclined to settle the issue.  Receiving God's forgiveness really only helps if you believe in God and if you believe in the ability of this guy Jesus to speak for God, even though not long after teaching us this lesson, he was nailed to a tree by the Romans and died straight away.  

Having God forgive you is of almost no importance at all if you cannot forgive yourself if you cannot let go of those things you lost, the transgressions you made.  Holding onto those things and burying them under your skin is what makes you Roy Kent.  Anger and frustration become your superpower, and it makes you incredibly able to do some things, but it makes it impossible to do others, and it kills you inside.  At least, it did for me.

"Ten Second Memory."  Ted Lasso is immovable.

When it became clear that I was breaking inside, clear that I was absolutely fucking miserable and wishing I were dead,  my father would put his hand on my shoulder and say, "You gotta shake this off, buddy.  You can't let this stop you."  Between football and girls and fucking up most of my school assignments, Daddy told me to shake it off quite a lot.  Part of the reason that advice never really worked on me was that I knew he didn't shake things off.  He internalized them.  All of them.  He consumed his trespasses just like I consumed mine, and one day the burden of them made his heart stop while sitting behind his desk dictating a letter to Wingate and Deaton, and Taylor about a fishing trip they never got to take.  A letter they never received.  

"Ten Second Memory, buddy.  Shake it off."  This guy is really getting on my tits.  

Lessons aren't lessons because they're easy.  Turn the other cheek.  Consider the lilies of the field.  Don't cast the first stone.   Take no thought for the morrow.  God is greater than us.  God created us.  God forgives us just because we asked.  No sacrifice, no penance; those bills are paid for us in advance.

If God forgives us, why is it so horrible trying to forgive ourselves?  

Ted Lasso and his goldfish can go fuck themselves.  Really, this is very annoying.  I get the point, though.

I'm trying to shake it off, Daddy, I really am.  I've spent forty-five years trying to shake it off.  Losing is something I'm good at, but letting go is not.  I get what you're saying, though.  I won't quit trying.  


Apologies to my Aunt for the language.  Sometimes I put a lot of pepper in the pot.


Wednesday, May 24, 2023

History is Lunch at Woolworths

 In 1960, a previously unknown writer out of South Alabama published a work that presaged the monumental changes that lay ahead for the American South.  It was called, To Kill a Mockingbird.  You've probably been assigned to read it at some point in your life.  If not, if you're from here or choose to live here, you should read it and read the old testament.  Anything else you read from there will have solid roots.  

There are, so far, three actor's editions of To Kill a Mockingbird.  The first is the screenplay by Horton Foote.  Foote wrote something like thirty stageplays but won an Oscar for the Adapted Screenplay he penned of Harper Lee's novel.  Rights for his script are complicated to get and not really written for the stage.

Christopher Sergel published an acting edition in 1970.  Newstage has done this version, I believe, three times.  Several of my friends were involved in these productions, and they were all brilliant.  If you've seen To Kill a Mockingbird on stage in the last fifty years, it was most likely this version.

In 2016, Aaron Sorkin, who wrote The West Wing and A Few Good Men, revived Mockingbird with a new script that holds the current title for the most successful straight play in terms of audience in the history of Broadway.  

Sorkin's script features extended scenes with Tom Robinson and especially Calpernia, trying to broaden the cultural perspective of the play so that it's more than just the white man hero that Lee's book is often criticized for.  

Today at History is Lunch, a writer discussed his book about the sit-ins at Jackson's Woolworth's lunch counter on May 28, 1963.  In four days, this will have been sixty years ago.  In twenty-three days, I will also turn sixty years old.  

I was, reportedly a very difficult pregnancy.  My mother was sent home for an entire trimester to rest because her doctor could not find a fetal heartbeat.  Having miscarried twins eleven months before I was conceived, my mother was anxious about my pregnancy.  Had it failed too, her plans were to stop trying, as carrying children for two trimesters and losing them in the third was taking a toll on her.  The riot at Woolworths on Capitol Street, where white men attacked nine protestors attempting to break the color line in Jackson, was very big news when she was at home, not knowing if I'd be born alive or dead.

I was going to attend the lecture in person, but it looked like rain, so I watched over the internet.  I knew, going in, that I would know some of the names involved.  

The first was Allen C Thompson.  Thompson served as Jackson's Mayor from 1948 until 1969.  He was preceded by Leland Speed, who developed Eastover and whose wife gave me three sculpting lessons in her home on Eastover Drive for free.  He was followed by Russell C Davis.  When I knew Thompson, he was an older man living near my grandfather.  I was too young to remember any of the horrible things he had done, and until I took Mississippi History under Jerry Mcbride at St. Andrews, nobody had ever told me.  I can't begin to list the many times that Thompson was on the wrong side of history.  I believed that HE believed he was doing the right thing.  Nothing in my memory of him says he was willingly an evil man.  Sometimes, it's doing what you perceive as the right thing that can be the most evil.

The other name I recognized was Jim Black.  A recent Supreme Court ruling specified that Southern Police could not enter private property to arrest protestors unless the owner advised them a crime was being committed.  On May 28, 1963, nobody at Woolworth advised the police that a crime was being committed at the lunch counter, so the police stayed outside on Capitol Street.  Some have suggested this was intentional, as it left the protesters inside at the mercy of the angry white mob that was forming.

The police chief in Jackson sent Black, a young inspector, into the store in plain clothes as an undercover agent, just in case things got bad.  Then things got bad.  White boys pulled protesters off their lunch counter stools and began kicking and beating them.  Having then witnessed a crime, Black arrested both the attacker and the attacked, charging one with assault and the other with disturbing the peace, an unfair charge for the protester who hadn't broken any law, but it stopped the attack on him and saw him safely transferred to a police van where the mob couldn't attack him further.

When I knew Jim Black, he was Chief of Police for Dale Danks.  As my brother's illness got worse, he had several encounters with the police; Chief Black had known my father since High School and did everything he could to help Jimmy.  By the time Black ascended to Chief of Police, the worst of the civil rights era incidents had passed.  He served during Jackson's most extended period of growth yet.  I was probably spoiled by growing up during this period and knowing the men and women who orchestrated it.  If you ever see me lose patience with Jackson's current government, it's probably because it's difficult for me not to compare them to our "glory days."  

The third name I knew in the lecture was one I knew I'd hear going in.  Ed King was involved in nearly every significant civil rights incident in Mississippi.  He paid a price for it, but he never let that slow him down.  King is the young man in the clerical collar seen in the photos below.  I don't remember a time when Ed King wasn't around somewhere in my life.  He is ubiquitous.  He's in the Sunday school class I joined at Galloway and attends by Zoom.   Some of the best legal and religious minds in Mississippi over the last hundred years are in that class, including King.  I've been on both sides of the aisle with King.  

Most of the time, I stand with him, but there came a day when Abortion Rights activists wanted to meet at Millsaps, and Ed King was against it.  I sat in a meeting with Stuart Good, Wayne Miller, representatives of the Clinic Defense League, and Ed King to discuss the issue.  Knowing that I was on the opposite side of King was one of the more intimidating moments in my life.  His feeling was that, as a religious school, we had no business butting into this political and moral issue.  My position and I think Stuart's position was that Millsaps was not taking a stand on the abortion issue, even though our students might, but we were renting one of our spaces (the heritage room) to an outside organization.  The event happened despite King's challenge.  

There weren't any incidents, and Rev. King didn't do anything to interfere, but I felt the heat on the back of my neck that day.   I've always believed you should try and understand the viewpoint opposing yours, and I believe I understood where Rev King was coming from, but to me, the students who felt strongly about preserving their reproductive rights were more important. Having to stand up to somebody you idolized is a pretty tough lesson.  I don't know if he ever knew what I was going through.  I'm sure to him I was just Jim Campbell's boy, sticking his nose in where it didn't belong.  I'm pretty good at that.  To be fair, so is he.

I don't have an ending for this, mainly because it's just not over.  Woolworth's is a parking garage now, built by the son of the Mayor who preceded Thompson.  Mayors Davis and Danks were both accused of trying to tear down all the monuments of the Civil Rights Movement.  If you look at downtown Jackson today, there might be something to that.  The Civil Rights Movement probably won't end in my lifetime.  For some of my youngest friends, it might end in theirs.  At least, I hope so, but something tells me "no".

Ray Mcfarland will say he's too old, but I'd love to see him in a new production of Mockingbird using the Sorkin Script.  He's not too old.  He's the same age as Jeff Daniels when he originated the role on Broadway.  I don't know if Francine is up for yet another production of Mockingbird, but they've done something like eleven million performances of Christmas Carrol, so maybe it won't hurt.

Tuesday, May 23, 2023

Horse Corn

Whenever I would talk about getting a car that was too expensive, or buy a suit that was too expensive, or chase a girl who was above my station, my father would always remind me that my grandfather was a dirt farmer in Atalla County before he came to Jackson, and whatever happened since, I had no business putting on airs.  

The suit thing was kind of a trick because one his best friends was Billie Nevill, who owned the Rogue and sold me the suits and then advised I get the good Allen Edmunds shoes; still, the point remained:  I was twenty, I was from Mississippi, and it was morally bound to remain humble.  Daddy wasn't the only one.  I knew guys who bought the most expensive suits at the Rogue and even traveled to Memphis and New Orleans to buy clothes but kept a cheap suit handy for when they went before the public because they didn't want anyone to think they thought more of themselves than they did the people they represented.  

My grandfather didn't actually farm dirt.  He, and his father, and his grandfather farmed white corn, called "horse corn" in Mississippi, because it mostly was used to feed horses and cows.  The Campbells and the Boyds were humble people all the way through their lives in Atalla County, Mississippi, all the way back to Scotland; they were farmers or laborers. On my mother's side, the Bradys of Learned Mississippi also grew horse corn and tobacco and whatever vegetables they needed for the table.  The simple country store a cousin built is now the hippest place to buy a steak in Mississippi.   I know people who brag about the kings and dukes and famous people that lay in their family tree; there are none in mine.  We're humble people from humble stock.

My father never used the word hubris, but that's what he was warning me against.  People resent it when you think too much of yourself, he told me.  That actually wasn't a problem for me.  I thought very little of myself.  I struggled mightily academically, and stuttering and other issues made socializing very difficult, and my weight would make wild fluctuations.  The only trait I felt confident about was physical strength.  My other talents, more creative talents, remained hidden most of my life.  Some people, who lack self-confidence, try to cover it by putting on airs; expensive clothes and cars and exclusive club membership mask a sense of insecurity.    Not only was I discouraged from that, it was absolutely forbidden.

My family was divided on the issue of what temperature meat should be served.  Half believed it should be served the color of dry concrete.  The other half believed it should be the color of watermelon.  My mother sided with the concrete faction, so whenever she cooked a roast it was--grey.  Mother was otherwise an excellent cook, but beef was not a specialty--unless you also liked your meat grey.  

This meant that my father and I were on our own, and the only time we were able to express this was with grilling.  I watched Justin Wilson and Julia Child religiously, so I knew something about cooking, and our school library had two books on grilling, so I became quite good at it.  Every so often my father couldn't take it anymore and he'd drag me to the grocery store to buy meat to cook.  Half the steaks were cooked properly, the other half were cooked until they were the same color as the grill itself.  Sometimes I'd cook for my dad's friends too.  That meant they were nearly all cooked properly except for Ben Puckett, who liked steak basically raw.  It also meant I got to both make and have whiskey or vodka.  Daddy preferred vodka; I preferred whiskey.  Rowan Taylor taught me the finer points of good whiskey--I retain this to today.

What my mother lacked in cooking beef, she more than made up for in cooking vegetables.  Two of my siblings rebelled against eating just vegetables, so we didn't do it that often, but when we did, it was glorious.  My mother and her friends were devoted customers of Alice Berry at the old Farmers Market off Woodrow Wilson Road.  She would buy butter beans, field peas, snap beans, and green peanuts, and Mrs. Berry was one of the few places where she could find the horse corn my father loved.

She'd come home with brown paper sacks full of fresh Mississippi vegetables.  My grandmother, the maid Hattie and I sat in front of the television, shelling peas and snapping beans for the country feast ahead.  Mother taught me how to husk the horse corn and pull the tassels off the kernels while she got her biggest pot ready.    She boiled enough corn for everybody to have two ears, plus butterbeans, plus boiled okra, plus fresh, ripe tomato sliced with mayonnaise.  My grandmother made cornbread in a skillet she got from her mother who got it from her mother way over in Learned, Mississippi.  

My father, who taught me to eat sardines in a can, vienna sausages on crackers, cow tongue, snails, beef  and chicken livers, sause (otherwise known as head cheese), had a plate of just horse corn and tomatoes and was in heaven.  No matter what he attained in life, he struggled to keep in touch with the idea of humble food for humble people.

Like Ireland and Scotland, Mississippi is a humble place.  We're a people who work the land but remain fiercely proud.  It's important to be humble.  It's thinking you're better than somebody that starts most of the problems in this world.  

Monday, May 15, 2023

Mo Mhàthair

Desiring to be the best mother she possibly could be, my mother read every book on parenting she could get her hands on.  In the sixties, there were many.  When I was seven or eight, she sat me down to explain what the middle child syndrome was.  Middle children, she said, suffered from a lack of time.  Older children are first doing things that require mother's time; younger children are the most recent at doing things that require mother's time, leaving middle children feeling left out because there's not enough time.

I'm not sure why she told me this.  I wasn't feeling left out.  By the time he turned thirty-five, my father's career was moving at a frightening pace.  This parenting thing would be left to my mother because the world needed my father.  Daddy had coached pee wee baseball for my brothers, but when I got old enough, there wasn't time.  Nobody even asked if I wanted to play. I wasn't recognizing this as a loss, but I think my mother did.

In the early seventies, children born with ADHD and dyslexia had few options.  There were special schools where they could send me, but that would separate me from my friends and my family.  There were drugs, but my father was adamant that I not be given amphetamines or tranquilizers.  One of his associates had a son in my class who was given Ritalin, and his father said it made him a zombie.  I was given tutors at school.  My mother already had an education degree from Belhaven.  She would and did teach herself how to educate a dyslexic child.

Most of what my mother used with me was what we now consider the Montessori Method.  She tried everything she could imagine to give me another way to understand and comprehend letters and words, and sentences.  Since I also had untreated ADHD, these sessions seemed like torture for both of us.  Even though I was the middle child, my mother was spending more time on me than she did the other three.  It didn't seem like loving attention, though; it seemed like a struggle for both of us.   It cost a great deal of effort to teach me to read, but the greatest cost was it began to drive a wedge between my mother and me.

The women's liberation movement of the sixties and seventies meant that wives were no longer expected to stay at home.  Modern women got out in the world.  My father's career generated sometimes challenging social obligations for my mother.  On top of that, there was pressure for society women to leave the home and get jobs.  One of Mother's closest friends started the Every Day Gourmet, and my father would ask when my mother was going to do something like that.  

When my parents began dating in high school, my mother made an attempt to maintain a presence in the Presbyterian church she was born into while also holding an equal presence in my father's Methodist church.  She maintained this practice until I was seven or eight, when it just became a matter of not having enough hours in the day.  She dropped her membership in the Presbyterian church she was born into so she would have enough time to teach me to read.  

My grandmother lived with us for six months of the year.  She helped with laundry and cooking.  My mother had a maid named Hattie May Grant.  Children with ADHD can become very introverted because it's difficult for the world to comprehend them.  Hattie was my friend, though; she liked to watch Godzilla movies and watch Dr. Smith chase that robot around like I did.  

Burning the candle on every end, my mother would sometimes just run plain out of energy.  With her mother and Hattie in the house, she'd sometimes sneak off for a nap.  Sometimes, I would crawl into her room and sit on the floor beside her bed and watch her hand over the side of the mattress and listen to her breathing.  I had my mother to myself without distractions and without reading exercises.   Soon someone would need her, or the phone would ring, and the world would take my mother away again, but I had that time.  It mattered.

My mother enjoyed crafts.  Her sister became something of an accomplished painter well into her forties.  Our playroom doubled as my mother's sewing room.   After dinner, Daddy would usually return to work, or some work function, and Mother would commandeer the breakfast table to cut out patterns.

"What are you making?" I would ask.  I was pretty crafty too, although nobody really noticed it yet.

"I'm making a dress for your sister."  

"Can you make something for me?"  

"What would you like?" She smiled.

"How about a cape!" Dracula had a cape, superman had a cape, and magicians had capes.  That would have been so cool.

"I don't know how to make a cape," she said.

"What about something else then?"  If my sister could get a cool dress out of the deal, maybe I could get a cool coat or shirt.

"They don't really make patterns for boy things."  Mother said.  She was telling the truth too.  If you look at the Butterwick website today, they have very little for men.  Maybe a few vests, but not much more.  Even though men's bodies are made of simpler shapes, apparently, our clothes are more complicated.  I'm pretty sure a man made it that way.

They did have a few Halloween costumes.  Pilgrims and elves and clowns.  Mother made a clown costume for my brothers that was passed down to me and my sister.  There's nothing worse than telling a monster-obsessed kid that he had to be a clown for Halloween.

Mother was better at doing girl things because she was a girl.  I think the assumption was that my father would do boy things with me, and he clearly made an effort with my brothers; there was even a photograph in the Clarion Ledger of him swimming with my brothers; by the time I came along, though, he was out of time.  It was basically me and my mother and my Hattie, and neither of them knew how to do boy things.   Daddy did eventually end up spending a fair amount of time fishing with me, but I was nineteen when he first tried and was able to not only load and unload the boat but also able to fix drinks for him and his friends.

The middle child syndrome probably was hitting me really hard, but I was an extraordinarily introverted kid, so a lot of times, I just didn't notice.  Noticing that I had an interest in art and theater, my mother made sure I had a ride to lessons and rehearsals.  She wouldn't stay, but she made sure I got there.  Often my art teacher were women she knew socially.  The first one was Alice Riley, Dr. Carter O'ferral's daughter.  So far, I've done something like a hundred and fifty plays.  My mother only ever attended maybe seven of them.  At first, it was because she just didn't have the time.  Later, it was because we were becoming estranged.

When I was very young, there wasn't much that meant more to me than watching my brother be my brother.  I copied everything he did, everything he touched, everything he watched.  Whatever he could do, I wanted to do.  When we lived on Northside Drive, he and Lee Hammond built a treehouse.  To reach it, you had to climb two-by-four steps nailed to the tree like a ladder.  I was too little to reach.  I could see them in the treehouse, and it was all I wanted out of the world to be with them, but I couldn't, so I cried out of frustration.  I was left behind.  

I came to understand that this feeling of being left behind, left alone and forgotten was the primary symptom of middle child syndrome.   I made it considerably worse by being so introverted.  The world was more interested in other people, so I found other ways to occupy my time.  I socialized and mimicked the experience of human connection through my art and, eventually, through my writing.  We didn't know it, but my mother would soon face the greatest crisis yet.

My brother, for all his greatness, began to develop addiction problems.  Because I couldn't bring myself to blame him, I blamed my mother.  Whatever cracks there were in our relationship from this middle child business, I put a spike in them.  When his addiction problems became emotional and psychological problems,  I drove that spike deep into the heart of my relationship with my mother.

I think maybe I was trying to force her to ask me to come back to her, to say, "Let's start over.  You're still my little boy."  I think she was overwhelmed.  She tried to rationalize all this with me, which didn't work because I wasn't feeling rational.  This disease had taken my brother from me and replaced him with a stranger, and I was angry.  Being looked over, being left out, these things I could handle, but now they were taking things from me, and I had no recompense.   My mother tried to explain all these things to me, but I was angry and hurt and not listening.

Like she had done with me, Mother decided to educate herself about my brother's problem.  She returned to college to get a degree in psychology at Millsaps.  Her only intention was to apply whatever they taught her to healing her firstborn.  Our relationship was strained, and now she had even less time to spend with me.  My father flew to Washington several times a year and worked until eight or nine o'clock.  Without mentor or council, I drove in the spike even further, splitting the bond between myself and my mother.  In my mind, she left me and was devoting most of her time to this imposter that looked like my brother.  Pushing myself further away, maybe I thought she'd notice and come to find me.  She didn't.  

We never talked about these things.  We argued.  We argued quite a bit, almost entirely about how none of the things they were trying with my brother were working; his condition was getting worse and worse.  I surprised her by changing the focus of my anger.  "Stop Smoking!" I shouted.  "Haven't you seen what they're saying about cigarettes?"  She didn't stop, so I began hiding her cigarettes.  We argued so much this became the only way I could still tell my mother I loved her.  Eventually, smoking is what killed her.  I wish I had tried harder to make her quit.  I couldn't make her quit, so I started.  When she died, I doubled my own smoking, hoping it'd take me too.

When my sister got married, Mother designed and orchestrated a wedding for nearly a thousand people, filling both Galloway and the Country Club.  When my brother got married, she arranged a smaller wedding in the Galloway Chapel and dinner for fifty at the country club.  When I got married, she had dinner for eight at Nicks's and bought me a cake.  I told her not to do anything.  A weak attempt would hurt more than nothing at all.  It did.

When my father died, it should have driven me closer to my mother, but it drove me further away.  It drove me further away from everyone.  We argued constantly about how to handle his estate while the rest of the world argued over the power vacuum he left.  Both of us needed comfort and consoling and companionship, but so much had passed between us that we couldn't bridge that gap.  I lost my father, but I lost my mother too.  

When I tore my ACL in a theater accident, she insisted I stay at her house after my surgery.  We argued constantly.  I'm not a very good patient.  When her COPD started to threaten her life, she began asking that I stay with her overnight in case she had to be taken to the hospital.  Twice I did end up having to take her.  As her health got worse, so did my marriage, then the imposter who had replaced my brother developed cancer.   In the space of fourteen months, I lost him, then my mother, then my wife.  

Introversion had always been my response to stress.  I went home and locked the door, and refused to see anyone or go anywhere.  I had my books and my movies, and my computer, and that's how I intended to die.  

They say that the problem with a middle child is there isn't enough time.  Older children require time because they do things first; younger children require time because they do things more recently; little girls require more time than little boys; middle children get overlooked.

I don't think I was overlooked nearly so much as I was difficult to see.  Things happening within me made me withdraw from people, even as a child.  My mother loved me, but she suffered from a chronic lack of time.  I went from being her son with the most problems to being the son with the least problems, and I  chose to separate from her because I always chose to separate from people.  It's easier for me to go away than it is to solve the complex and painful connections between people.

When I was six or seven, I developed the chicken pox.  It felt like my skin was burning off.  They demanded I not scratch it because that would cause scars.  My mother gently covered my skin with pink medicine that felt cool when it went on and drew my skin tighter as it dried.  Unable to find relief, I cried and cried.  "Be brave," she said, "Don't scratch," she said.  Miserable, I couldn't sleep, and I couldn't stop itching.  My mother sat on the floor beside my bed and spoke softly to me.  She stayed all night, then the next night, by the third night, the itching wasn't as bad.

My mother loved me.  She taught me to read.  She carried me on trips to lessons and rehearsals and practices and trips to the tote-sum store so I could get comic books.  Life became complicated, and I ran away from her because I always found shelter alone.  Even a mother couldn't salvage the things that were breaking in me.   I can't take any of that back.  I can, at fifty-nine years old, see a lot of it for what it was.  That's some relief.  Time was my enemy.  Now her memory is complex and beautiful, and painful.   My mother loved me.  Time is fleeting, but love endures.








Sunday, May 14, 2023

Madonna della Pieta

In world art, no theme is more prevalent or more important than that of the mother.  Mother Earth, Mother Goddess, and Mother Creator, she represents creation, fertility, and compassion.   There are masculine fertility representations, but they lack the sense of nurturing that the mother symbols do, which makes them less common and less popular.

Western Art tends to compress all of its thoughts and feelings about Mothers into the singular character of Mary, The Mother of God.  In parts of Europe, every church and nearly every home has images of Madonna and Child--Mary, the mother of God, holding and codling the infant Jesus, innocent and unaware of the life he would lead.

The second image we have of Mary in Western Art is La Pietà, "the compassion."  The dolorous image of Mary the Mother of God, holding his lifeless body, wearing for her lost son, before laying him to rest.  It's one of the most powerful images in all of Christendom.  Mary, who the angels told would bear the Son of God, holds his broken and dead body in her arms, wondering what went wrong.  People talk about the perfection of Michelangelo's statue of David.  For me, Madonna della Pietà is not only the greatest work of  Michaelangelo but possibly the greatest statue of all.  

In Lewis's The Lion, The Witch, and The Wardrobe, Lucy and Susan represent Mary, the Mother of God, and Mary Magdelene when they come upon the dead body of Aslan, still tied to the altar table.  Weeping and in pain, they beseech the mice to help free the dead body of Aslan from the ropes that bound him.  Susan cradles the dead king's head in her lap.  The cruelty of life has taken their most precious from them.

No mother should ever endure the loss of her son, but how common is it that accident, disease, addiction, depression, and most of all, war takes the son from the mother.   No other cause has separated more mothers from more sons than war from the beginning of time.  On Mother's Day, remember your mother, but remember the mothers who lost their progeny and issue.  Nothing can ever fill that void.



Official Ted Lasso